Inversion Collection Archives - Reza Hosseiny https://rezahosseiny.com/category/inversion-collection/ Ceramic Arts Studio/Commission, Production, Instruction Wed, 21 Feb 2024 06:32:22 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://rezahosseiny.com/wp-content/uploads/2022/05/logo1-100x100.png Inversion Collection Archives - Reza Hosseiny https://rezahosseiny.com/category/inversion-collection/ 32 32 196753158 Corruption! (Lines and Connections) https://rezahosseiny.com/inversion-collection/corruptionlines-and-connections-2/ https://rezahosseiny.com/inversion-collection/corruptionlines-and-connections-2/#respond Wed, 21 Feb 2024 06:23:48 +0000 https://rezahosseiny.com/?p=5283 H: 52in – L: 18in – W: 18inCeramic Cone 6 – Metal Freight Wire Corruption (Lines & Connections) Within the intricate tapestry of ‘Corruption (Lines & Connections),’ the initial allure of distant observation unveils a captivating narrative of movement, growth, and progression. From afar, the structure of life unfolds in a vibrant and orderly spectacle, […]

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H: 52in – L: 18in – W: 18in
Ceramic Cone 6 – Metal Freight Wire

Corruption (Lines & Connections)

Within the intricate tapestry of ‘Corruption (Lines & Connections),’ the initial allure of distant observation unveils a captivating narrative of movement, growth, and progression. From afar, the structure of life unfolds in a vibrant and orderly spectacle, showcasing a harmonious blend of colors and a solid, geometric foundation. However, upon closer inspection, the once pristine image gives way to a network of vines, resilient as metal and adorned with thorns sharper than roses. The roots, petrified and intricately intertwined, defy attempts at separation, embodying the persistence of corruption—a force that withstands the passage of years and eludes disentanglement.

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Yellow Cactus! https://rezahosseiny.com/inversion-collection/yellow-cactus/ https://rezahosseiny.com/inversion-collection/yellow-cactus/#respond Tue, 26 Jul 2022 20:32:43 +0000 https://rezahosseiny.com/?p=3778 Stoneware Ceramic: 18” x 135” x 45” Yellow Cactus! “Yellow Cactus” embodies a profound narrative exploring the convergence of symbolism within an abstract ceramic sculpture. Embodying the resilience of the cactus, a universal symbol of endurance, juxtaposed with the vibrant hue of yellow, evoking passion and optimism, the piece delves into the dichotomy of external […]

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Stoneware Ceramic: 18” x 135” x 45”

Yellow Cactus!

“Yellow Cactus” embodies a profound narrative exploring the convergence of symbolism within an abstract ceramic sculpture. Embodying the resilience of the cactus, a universal symbol of endurance, juxtaposed with the vibrant hue of yellow, evoking passion and optimism, the piece delves into the dichotomy of external enthusiasm and internal apprehension. Manifesting a dynamic interplay between resilience and vulnerability, the sculpture navigates the complexities of solitude and self-preservation, illustrating a perpetual struggle to maintain equilibrium amidst fluctuating forces. Through deliberate placement, the sculpture signifies the inherent tension between contrasting elements, emphasizing the necessity of maintaining distance to avert potential peril. Ultimately, “Yellow Cactus” serves as a testament to the steadfast determination to withstand adversity while preserving a delicate balance between opposing forces.

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Equality VS Quantity! https://rezahosseiny.com/inversion-collection/equality-vs-quantity/ https://rezahosseiny.com/inversion-collection/equality-vs-quantity/#respond Fri, 03 Jun 2022 10:28:46 +0000 https://rezahosseiny.com/?p=891 DIA: Thick: 3.25 in, Average: 2.5 in, Thin: 2 in H: 13 in Exploring the complexities of equality, ‘Equality VS Quantity’ manifests as a series of conceptual ceramic sculptures. Within this narrative, passive and whimsical Equal Couples observe a victim of oppression, inequality, and assault. Rather than standing against injustice, they rise only to be […]

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DIA: Thick: 3.25 in, Average: 2.5 in, Thin: 2 in H: 13 in

Exploring the complexities of equality, ‘Equality VS Quantity’ manifests as a series of conceptual ceramic sculptures. Within this narrative, passive and whimsical Equal Couples observe a victim of oppression, inequality, and assault. Rather than standing against injustice, they rise only to be seen, engaging in what seems like a ritual ceremony, devoid of tangible assistance for the victim. While they claim fulfillment, the question lingers: have they achieved true equality or merely become equal in quantity? Despite their pervasive presence in societies advocating for equality, the Beautiful Painful, the actual victim, continues to suffer. Forced to exist in the center, she nurtures and sustains the Quantities. The Beautiful Painful becomes the poignant excuse for the Merciless Couples to stand idly by. A longing emerges for the Beautiful Painful to be left alone with her pain, offering the possibility of finding a path towards healing and resolution.

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The beginning of the cold season! https://rezahosseiny.com/inversion-collection/the-beginning-of-the-cold-season/ https://rezahosseiny.com/inversion-collection/the-beginning-of-the-cold-season/#respond Thu, 07 Apr 2022 18:41:35 +0000 http://127.0.0.1/artceramics/?p=102 The beginning of the cold season! Within the evocative concept of ‘The Beginning of the Cold Season,’ the artwork beckons contemplation. As the cold season commences, it becomes symbolic of a perpetual cycle, an ongoing narrative that refuses openness until the minds awaken from their frozen states. This poetic exploration invites viewers to reflect not […]

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The beginning of the cold season!

Within the evocative concept of ‘The Beginning of the Cold Season,’ the artwork beckons contemplation. As the cold season commences, it becomes symbolic of a perpetual cycle, an ongoing narrative that refuses openness until the minds awaken from their frozen states. This poetic exploration invites viewers to reflect not only on the changing seasons but on the unyielding journey toward mental awakening and the potential for transformation that lies within.

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Suicide of A Soul! https://rezahosseiny.com/inversion-collection/suicide-of-a-soul/ https://rezahosseiny.com/inversion-collection/suicide-of-a-soul/#respond Thu, 07 Apr 2022 18:40:38 +0000 http://127.0.0.1/artceramics/?p=99   Each H: 16in – W: 7inCeramic Cone o4 – Kitchen Knife Suicide of A Soul! In the poignant dance between the soul and the body’s actions, weariness may push a soul to the precipice of self-destruction. Throughout the annals of history, the souls choosing this path have consistently outnumbered bodies taking the same tragic route. […]

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  Each H: 16in – W: 7in
Ceramic Cone o4 – Kitchen Knife

Suicide of A Soul!

In the poignant dance between the soul and the body’s actions, weariness may push a soul to the precipice of self-destruction. Throughout the annals of history, the souls choosing this path have consistently outnumbered bodies taking the same tragic route.

The act of self-destruction carries with it a profound awareness—a knowing embrace of one’s imminent demise. Contrastingly, those persisting in a life of soulless existence engage in a different, albeit foolish, sacrifice. These individuals, unaware of their soul’s departure, continue to traverse the realms of the living, erroneously assuming they are truly alive.

“Ephemeral Souls” explores the delicate interplay between life, death, and the silent departure of the soul, shedding light on the tragic misconception of those who sacrifice their essence without realizing the void left in their wake.

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Straight Down, Screwed up! https://rezahosseiny.com/inversion-collection/straight-down-screwed-up/ https://rezahosseiny.com/inversion-collection/straight-down-screwed-up/#respond Thu, 07 Apr 2022 18:39:41 +0000 http://127.0.0.1/artceramics/?p=96 Black H: 30in – W: 9in / Cream H: 30in – W: 8½in Ceramic Cone 04 & 6 Metal Freight Wire, Live Plant                   Straight Down, Screwed up! Descending through ‘Straight Down, Screwed up!,’ the sculpture delves into the metaphorical intersection of life’s challenges and the principles of Algebra. Echoing the cautionary saying about minding one’s […]

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Black H: 30in – W: 9in / Cream H: 30in – W: 8½in
Ceramic Cone 04 & 6 Metal Freight Wire, Live Plant

                 

Straight Down, Screwed up!

Descending through ‘Straight Down, Screwed up!,’ the sculpture delves into the metaphorical intersection of life’s challenges and the principles of Algebra. Echoing the cautionary saying about minding one’s head when crossing a doorway, the artwork explores the inevitability of confronting unwelcome situations to progress. Just as Algebra demands adherence to formulaic rules for solutions, life requires us to face and navigate challenges. The piece delves into the human tendency to persistently grapple with difficulties without altering their source or perception, akin to blindly guessing solutions in algebra problems. It highlights the paradoxical attachment to burdens, treating them as unavoidable fixtures even as they cause self-inflicted harm, drawing attention to the irrational love we sometimes develop for our own challenges.

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Stitched World with Arrhythmia Heartbeat! https://rezahosseiny.com/inversion-collection/stitched-world-with-arrhythmia-heartbeat/ https://rezahosseiny.com/inversion-collection/stitched-world-with-arrhythmia-heartbeat/#respond Thu, 07 Apr 2022 18:38:55 +0000 http://127.0.0.1/artceramics/?p=93 W: 30in – L: 41inCeramic Cone 04 – Electric Cable Stitched World with Arrhythmia’s Heartbeat Embracing the world map in the form of a ceramic relief, ‘Stitched World with Arrhythmia’s Heartbeat’ unfolds as a metaphorical conversation. Addressing the Earth symbolically personified as a lady, the sculpture becomes a canvas adorned with stitches, each representing a […]

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W: 30in – L: 41in
Ceramic Cone 04 – Electric Cable

Stitched World with Arrhythmia’s Heartbeat

Embracing the world map in the form of a ceramic relief, ‘Stitched World with Arrhythmia’s Heartbeat’ unfolds as a metaphorical conversation. Addressing the Earth symbolically personified as a lady, the sculpture becomes a canvas adorned with stitches, each representing a mark of healing or past wounds. Expressing a heartfelt wish for the cessation of these symbolic stitches, the speaker acknowledges the challenge of enduring such pain. Apologetically recognizing personal limitations in offering tangible assistance, the speaker unveils a poignant gesture — a commitment to bridge the emotional gap. Metaphorically intertwined with the Earth’s heartbeat, the speaker, in the daily ritual within their garden, seeks to synchronize their own heartbeat with the rhythmic pulse of the planet. ‘Stitched World with Arrhythmia’s Heartbeat’ thus becomes a testament to the power of empathetic connection, transcending physical borders in a shared heartbeat.

Note: A video of a scrolling electrocardiographic diagram showing a heartbeat will accompany this work.

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Complexity or Simplicity! https://rezahosseiny.com/inversion-collection/simplicity/ https://rezahosseiny.com/inversion-collection/simplicity/#respond Thu, 07 Apr 2022 18:37:58 +0000 http://127.0.0.1/artceramics/?p=90 Complexity or Simplicity! Complexity: Complexity is the intricate dance of many interconnected parts, like a rich tapestry woven with diverse threads, creating depth and layers that invite exploration. Simplicity: Simplicity is the art of distillation, where the essence is captured with grace, offering a serene and straightforward experience that resonates with clarity and ease.Do you […]

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Complexity or Simplicity!

Complexity: Complexity is the intricate dance of many interconnected parts, like a rich tapestry woven with diverse threads, creating depth and layers that invite exploration.

Simplicity: Simplicity is the art of distillation, where the essence is captured with grace, offering a serene and straightforward experience that resonates with clarity and ease.
Do you think it is complex or simple?
You put the comment on this.

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Shit happens. Even if you are beautiful or handsome! https://rezahosseiny.com/inversion-collection/shit-happens-even-if-you-are-beautiful-or-handsome/ https://rezahosseiny.com/inversion-collection/shit-happens-even-if-you-are-beautiful-or-handsome/#respond Thu, 07 Apr 2022 18:36:36 +0000 http://127.0.0.1/artceramics/?p=87 H: 16in – W: 7inCeramic Cone 6 – Metal Screws & Nuts Shit happens. Even if you are beautiful or handsome! In the grand tapestry of existence, the undeniable truth remains—shit happens, irrespective of beauty or handsomeness. Some individuals bear appearances that should not deceive; akin to their own excrement, wrapped in an elegant attire, […]

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H: 16in – W: 7in
Ceramic Cone 6 – Metal Screws & Nuts

Shit happens. Even if you are beautiful or handsome!

In the grand tapestry of existence, the undeniable truth remains—shit happens, irrespective of beauty or handsomeness. Some individuals bear appearances that should not deceive; akin to their own excrement, wrapped in an elegant attire, where no disparity exists between their feces and their intellect.
These individuals, wrapped in the trappings of sophistication, seem to exude their metaphorical excrement indiscriminately—on everybody, in all four directions. “Elegance Concealing Excrement” lays bare the irony of outward refinement concealing internal chaos, inviting contemplation on the intricacies of appearances versus reality.

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These are not tea cups! https://rezahosseiny.com/inversion-collection/these-are-not-tea-cups/ https://rezahosseiny.com/inversion-collection/these-are-not-tea-cups/#respond Thu, 07 Apr 2022 18:35:38 +0000 http://127.0.0.1/artceramics/?p=84 Taking inspiration from Michel Foucault’s ‘This is Not a Pipe,’ my artwork, titled ‘Reflections of Unfilled Teacups,’ comprises a collection of seven teacups. Each cup, sealed at the top with a matching-colored lid, deviates from its conventional use as a vessel for tea. Positioned in a circular arrangement, these teacups face one another with handles […]

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Taking inspiration from Michel Foucault’s ‘This is Not a Pipe,’ my artwork, titled ‘Reflections of Unfilled Teacups,’ comprises a collection of seven teacups. Each cup, sealed at the top with a matching-colored lid, deviates from its conventional use as a vessel for tea. Positioned in a circular arrangement, these teacups face one another with handles turned backward, creating a thought-provoking display. This configuration challenges the expected utility of teacups, emphasizing the absence of their traditional contents. ‘Reflections of Unfilled Teacups’ invites contemplation on the interplay between form and function, urging viewers to explore the conceptual dimensions of absence and reconsider the symbolic significance of everyday objects.

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